718 Yoruba | Cac Hymn
| 2. Emi Mimo, ma bo, wo okan mi mo; | Holy Spirit, come, cleanse my heart; | | Gbogbo ese mi nu, ese mi nu; | All my sins erase, my sins erase; | | Jesu gba mi o, gba mi o. | Jesus save me, save me. |
Future research should compare this hymn with Muslim Wird (litany) in Yorubaland and examine how CAC hymnody influenced later Nigerian gospel artists like Ebenezer Obey (who began as a CAC chorister). Assuming a tonic of F major (Yoruba tunings vary) cac hymn 718 yoruba
is categorized under Igbala (Salvation) and is known by its opening line: "Igbala ni mo fe, okan mi n be fun un" (Salvation I desire, my heart longs for it). 2. Yoruba Text and Translation | Yoruba (Original) | Literal English Translation | |-----------------------|--------------------------------| | 1. Igbala ni mo fe, okan mi n be fun un; | Salvation I desire, my heart begs for it; | | Mo fe mimo iye, mimo iye; | I want living holiness, living holiness; | | Jesu ma fun mi, ma fun mi. | Jesus, please give me, please give me. | | Egbe: Igbala, igbala, igbala ni mo fe; | Chorus: Salvation, salvation, salvation I desire; | | Emi Mimo, ma ran mi lowo, | Holy Spirit, help me, | | Ki n le gba ‘gbala. | So I may receive salvation. | | Future research should compare this hymn with
Hymn 718 demands embodied salvation – the singer does not just think about grace; they enact the struggle for it. CAC Hymn 718 is not a translation of a Western text. It is an autochthonous creed – a musical summation of Aladura soteriology. Its repetitive cries, pentatonic contours, and direct address to the Spirit reveal a Christianity that has been fully indigenized. For the Yoruba CAC member, singing Hymn 718 is not performance; it is being saved again in real time. Yoruba Text and Translation | Yoruba (Original) |
