In Bilbao, the children are herded onto the Habana , a cargo ship retrofitted for passengers. A mysterious benefactor—implied to be the Basque government-in-exile—organizes their evacuation. Sabino meets key companions: the mischievous José Luis, the quiet Martín, and the girl named Carmencita, who carries a small branch from the Tree of Guernica.
Some children are placed with British foster families. Sabino goes to a Methodist household in the Lake District. The landscape reminds him of the Basque mountains, but the language and customs are alien. He has nightmares of bombers shaped like clouds. His foster mother, Mrs. Patterson, teaches him to plant a garden—a healing ritual.
Castresana, L. (1967). El otro árbol de Guernica . Madrid: Editorial Escelicer. Legarreta, D. (1984). The Guernica Generation: Basque Refugee Children After the Spanish Civil War . Reno: University of Nevada Press. Watson, C. (2008). “The Tree as Allegory in Post-Civil War Spanish Children’s Literature.” Journal of Iberian Studies , 34(2), 112-129. el otro arbol de guernica chapter summaries
Southampton appears on the horizon. The children are scrubbed, deloused, and given new clothes donated by British Quakers. Sabino is nervous: “Will they know we are from Guernica?” The ship docks, and they are met by representatives of the Basque Children’s Committee. The voyage ends, but the journey is just beginning. Part III: The English Colony (Chapters 8–12) Chapter 8: The Camp at North Stoneham The children are taken to a camp in North Stoneham, near Southampton. Conditions are cramped but safe. They are given medical exams; some have tuberculosis. The British hosts are well-meaning but culturally baffled—serving cold tea and boiled vegetables. The “other tree” becomes the colony’s makeshift flagpole, a broken mast from a lifeboat.
An English crew member, Tom, teaches the children basic English phrases. His kindness contrasts with the indifferent Spanish consular officials who had remained in Bilbao. Tom tells them about a large “tree” in London called the Tower Bridge, a miscommunication that becomes a running joke. This chapter introduces linguistic displacement as a theme. In Bilbao, the children are herded onto the
Newsreels show the liberation of concentration camps. The children, now young adults, understand the scale of fascist evil differently. They receive confirmation that most of their families in Guernica perished. The chapter is devastating but restrained. Carmencita breaks down, then waters the tree. Sabino decides: “We are the other tree now. We must keep growing.” Part V: Return? (Chapters 17–19) Chapter 17: The End of War in Europe, 1945 VE Day. The colony celebrates, but the mood is ambiguous. Spain remains a dictatorship. The children are now legal adults; some take British citizenship. Others, like Martín, plan to return clandestinely. Sabino receives a letter from a Basque priest in exile: the original Tree of Guernica has survived after all—new shoots emerged from the burned trunk.
The ship departs at night. As the coast of Spain fades, the children sing Basque folk songs. The captain announces they are going to “a green country called England.” Sabino feels two emotions simultaneously: relief and a profound sense of rupture. The “other tree” is first mentioned—the branch Carmencita carries will need new soil. Part II: The Voyage (Chapters 5–7) Chapter 5: Life on the Habana The crossing takes ten days. Castresana uses this confined space to build micro-communities. The children organize games, lessons, and arguments about Spain. José Luis claims the war will be over in a month; Martín says nothing. Sabino begins a diary on scrap paper. A storm nearly capsizes the ship, symbolizing the instability of exile. Some children are placed with British foster families
Sabino decides to return to Spain, not to stay, but to see. He travels via France. Crossing the Pyrenees on foot, he meets other exiles. When he reaches Guernica, he finds the town rebuilt but silent under Franco. He visits the Tree of Guernica—indeed, new branches grow from the old stump. He touches the bark and cries.
