El Volumen Del Tiempo I - Solvej Balle.epub Direct

Rosa, Hartmut. 2013. Chrono‑Capitalism . New York: Columbia University Press.

El volumen del tiempo I – A Critical Exploration of Solvej Balle’s Narrative Experimentation

Balle, Solvej. 2019. El volumen del tiempo I . Translated by Carmen Rodríguez. Madrid: Editorial Cátedra. El volumen del tiempo I - Solvej Balle.epub

Balle, Solvej. 1975. Tidens volumen . Copenhagen: Gyldendal.

Christensen, Inger. 1969. Det . Copenhagen: Gyldendal. Rosa, Hartmut

Kristeva, Julia. 2001. Chronotope: Essays on the Spatialization of Time . London: Routledge.

Parikka, Jussi. 2012. What is Media? New York: Polity Press. New York: Columbia University Press

Example (Spanish translation): “02:15 – 14/03/1972. El reloj de mi madre se detuvo cuando la lluvia golpeó la ventana. No fue el sonido lo que la sorprendió, sino el silencio que quedó después.” The juxtaposition of precise temporal markers with poetic description destabilizes linear chronology. The “clock” becomes a narrative device that both orders and disorganizes the flow of memory. Balle incorporates quotations from contemporary music lyrics, scientific texts, and personal letters. These insertions appear in a different typographic style (italic, all caps), signaling a rupture in the narrative voice. The collage technique recalls the cut‑up method popularized by William S. Burroughs and the Danish poet Per Højholt’s Skrift (1970). 3.3. Self‑Reflexivity The narrator frequently comments on the act of writing: “Me pregunto si la página que hoy lleno será el mismo papel que mañana volveré a abrir, o si será una hoja nueva, imperecedera en la memoria del lector.” Such meta‑narrative moments foreground the text’s materiality, aligning the volume with both a physical object (a book) and an abstract container of time. 4. Thematic Concerns 4.1. Gendered Temporality Balle’s female narrator confronts the “biological clock” not only as a metaphor but as a literal ticking. The diary entries trace the menstrual cycle, pregnancy, and menopause alongside societal expectations of motherhood. The text resists a deterministic reading; instead, it juxtaposes bodily rhythms with industrial time (e.g., factory shifts, train timetables).