But I didn’t leave. I looked at the phrase again, written on a napkin. french-montana-excuse-my-french-zip. The hyphens bothered me. Why hyphens? Why not underscores or spaces? And why “zip” at the end? It was redundant—the file was already a zip.
I should have said no. I was supposed to be grading freshman comp essays. But the name stuck in my head like a hook with no drop. French-Montana-Excuse-My-French-Zip. It sounded like a mantra. A curse. A key. french-montana-excuse-my-french-zip
We listened to three tracks in silence. They weren’t better—they were truer. You could hear him clear his throat before a verse. You could hear a chair squeak. On track seven, someone off-mic says, “That’s it, that’s the one,” and French replies, “Nah, let me do it again. They gonna say my French is sloppy. Let ’em. That’s the point.” But I didn’t leave