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“It’s from a special batch,” Suhas said quietly. “The weaver was an old man from Yeola. He died last month. This is his last masterpiece.”

When Aniket died of a sudden cardiac arrest, the machine stopped. Her mother-in-law, Sharada, had moved to her eldest son’s house in Kolhapur. Ritu had gone back to the US. Her son, Kabir, was lost in his start-up in Bengaluru. And Meera was left in the three-bedroom flat, a museum of a life she no longer knew how to live. “It’s from a special batch,” Suhas said quietly

She dressed quickly: a simple cotton kurta , grey leggings, her silver bindi —a tiny dot of defiance, because widows in her community weren’t supposed to wear bindis anymore, but she had decided she liked the way it anchored her face. She picked up her worn leather tote and stepped out. This is his last masterpiece