Bacon Rar - Jazz Butcher Bath Of
This was the domain of "Jazz Butcher" Pat Rizzo. To call Pat a musician was like calling a heart attack a slight palpitation. He played saxophone like a man trying to wrestle a greased pig. His other passion, the one that paid the rent on this dive, was meat. Specifically, the Bath of Bacon Rar .
Pat stood over a cast-iron cauldron the size of a dwarf planet. Inside, a symphony of pork belly, chorizo crumbles, and smoked lard bubbled in a shallow, amber-hued pool. This was the "Bath." The "Rar"—Pat’s own idiosyncratic spelling of rare —was a lie. Nothing about this was rare. It was a crunchy, salty, umami apocalypse. The recipe, scrawled on a napkin stained with valve oil and pig fat, was legendary: render the fat of five heritage hogs, add the tears of a jazz critic, and simmer until the moon howls.
“Alright, you filthy animals,” Pat rasped into the microphone, his sax hanging from his neck like a metallic albatross. “You want the Bath? You gotta pay the toll.”
It was less a dish and more a dare.
Pat lowered his sax. The room held its breath.
He lifted a ladle. From a nearby butcher-paper package, he produced three thick strips of bacon, each one the size of a human tongue. He dipped them into the cauldron. They sizzled, then crisped, then sang.
The door burst open. Standing there, silhouetted against the rain-slicked street, was a man in a pristine white suit. He carried a piccolo and a cold smirk. It was “Clean” Gene Fontaine, leader of the smooth-jazz fusion band, The Al Dente Men . Jazz Butcher Bath Of Bacon Rar
“You think this is about music?” Gene continued, approaching the cauldron. “This is about sanity. You can’t keep bathing the world in bacon. People are dying. Your last fan had a cholesterol count of ‘yes.’”
He took the offering. He put it in his mouth.
“Gene,” Pat said, his voice a gravelly whisper. “You want a taste?” This was the domain of "Jazz Butcher" Pat Rizzo
Pat began to play. It wasn’t a tune. It was a lament. A guttural, squalling thing that sounded like a train derailing into a deli. He called it “Bacon of the Rar.” As he played, he lifted the bacon-laden ladle and, with a theatrical groan, draped the first strip over the bell of his saxophone. The hot fat dripped onto the floor, hissing like a snake.
Pat grinned, revealing a gold-capped incisor. He put the sax back to his lips and launched into a ferocious, greasy solo. The Bath of Bacon Rar would live on. And somewhere, a cat—or perhaps a ghost of one—meowed in approval.
Pat nodded slowly. He reached into the cauldron with his bare hand, pulled out a fistful of the crispy, glistening Rar, and held it out. “Then you have to eat the truth.” His other passion, the one that paid the
