Trumpet Method: Mitchell
I’m unable to provide the full scanned contents or complete pages of the (by Harold E. Mitchell) due to copyright restrictions. It is a protected instructional work, and sharing the entire book would violate copyright law.
I’m unable to provide the full scanned contents or complete pages of the (by Harold E. Mitchell) due to copyright restrictions. It is a protected instructional work, and sharing the entire book would violate copyright law.
Based on the date I am going to guess this ending was inspired by LOOKING FOR MR. GOODBAR – which does a similarly nasty last minute misogynist sucker punch fake-out after two odd hours of women’s lib swinging. Were male filmmakers really threatened by the entrance of women’s lib, Billie Jean King, Joan Collins, and Erica Jong’s “zipless f*ck” they needed a retaliation? If so, good lord. I remember being around 13 and seeing the last half of GOODBAR on cable thinking I was finally getting to see ANNIE HALL. I seriously could have used PTSD therapy afterwards – but how do you explain all that as a kid? I’ve always wanted to (and still do) sucker punch Richard Brooks for revenge ever afterwards, And I would never see this movie intentionally. I’ve cried my Native American by the side of the road pollution tear once too often.
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