“Speaking it is easy, Meme. But writing it according to the syllabus? We have to know the seven classes of nouns. The omwa-, ova- prefixes. The e-, oma- plurals. The way okakwana becomes aakwana when they grow up. And the proverbs… Ondjiva yomunhu kayi na omukonda – ‘a person’s leg has no elbow.’ What does that even mean?”
“No. You see omugongo (the fruit), etungwa (the nut), and ombinae (the fiber). That’s noun class 4, 9, and 3. And see those three children chasing a chicken? That’s a proverb: Iikokolo itatu itashi ka kuta omwifi – ‘three cockerels cannot cool the porridge.’ Too many cooks. Now write that down.”
And somewhere in the Ministry of Education’s archives, the “Oshindonga Syllabus Grade 10-11” remains a dry document. But in Ndapanda’s village, it became a story — one that grandmothers still tell under moringa trees, long after the exams are over.
On results day, the principal announced her name: 89% — first in the region. oshindonga syllabus grade 10-11
In the dry, red dust of northern Namibia’s Owamboland, 17-year-old Ndapanda sat under a moringa tree, staring at a piece of paper that had just arrived from the regional education office. It read:
Ndapanda was quiet. She looked at Section B of the syllabus: Oshilalwamwiko – “Write a 600-word argumentative essay on the role of oshitambi (traditional wedding) in modern society.”
When she finally sat for the Grade 11 mock exam, the paper asked: “Tanga oshilalwamwiko tashi ti: ‘Oshindonga osho oshilonga shandje, oshinglizisa osho oshilandwa shandje.’” (“Write an essay: ‘Oshindonga is my tool, English is my merchandise.’”) “Speaking it is easy, Meme
Meme Tulipomwene set down her gourd. “It means a journey has no breaks, child. Keep walking. Like you will with this syllabus.” She tapped the paper. “You think this is new? In 1968, when I was your age, we had no syllabus. We scratched Oshindonga letters into the sand with sticks, hiding from the soldiers. The words we wrote could get us shot. But we memorized omisipa dhouye – the veins of language – because if we lost the words, we lost ourselves.”
Her grandmother chuckled, a deep, rumbling sound like distant thunder. “And why is that a problem? You speak Oshindonga every day.”
Her grandmother stood up slowly. “Come.” The omwa-, ova- prefixes
They walked to the old oshana (dry riverbed) behind the homestead. The grandmother pointed to a cluster of makalani palms. “What do you see?”
“It’s the syllabus, Meme,” Ndapanda sighed, running her finger down the columns. “Look. Oshigwana tashi dulika – oral traditions. Oshimoni shi na oshinima – poetry with hidden meanings. Ehandimikwa lyomapopyo – analysis of proverbs. And worst of all… Oshilalwamwiko – the extended essay in formal Oshindonga.”