In the cluttered ecosystem of mobile narrative games—where match-3 puzzles disguise time-wasters and visual novels lean heavily on anime tropes— Phone Story -v0.3- by Taptus arrives not with a bang, but with a buzz. A low, persistent vibration against your thigh. You check your screen. A notification. Not from Instagram or WhatsApp. From the game.
A contact named (no last name, just a faded concert photo as their icon) has been messaging you—no, messaging the phone’s owner. You are a ghost reading someone else’s slow-motion crisis. The Narrative: Dread Through Typing Indicators The story unfolds entirely through SMS. No cutscenes, no voice acting. Just blue and grey bubbles.
Alex works night shifts at a 24-hour pharmacy. The phone’s owner (you never learn their name—let’s call them ) hasn’t replied in six days. Alex’s messages start casual: “You left your hoodie here lol” and “Did you see that thing about the power outage?” Phone Story -v0.3- -Taptus- BEST
By day three, Alex is pleading. “Please just send a thumbs up if you’re alive.” The green “Delivered” status beneath your outgoing messages (which you can’t control) mocks you. But here’s the genius of v0.3 : . Taptus gives you limited dialogue options every few messages. Choose a cold “I’m busy” or a desperate “I’m sorry, I’ll explain later.” Each choice forks the conversation into one of three emotional rails: Avoidant, Guilty, or Ghosted .
is not a polished, market-ready product. It is a raw nerve. An interactive vignette about loneliness, data trails, and the strange intimacy of a stranger’s text messages. Taptus, known for unsettling, lo-fi experimental works, strips away everything except your phone’s home screen and a single, unread conversation thread. The Interface: You Are Already Here There is no tutorial. No “tap to start.” You launch the app, and you’re staring at a cracked, greasy-fingered simulation of an Android home screen. The clock matches your real time. The battery icon drains slowly. Backgrounds shift—a generic starfield, then a blurred photo of a room you don’t recognize. In the cluttered ecosystem of mobile narrative games—where
Then, the tone shifts. “Hey. You said you’d call.” Three hours later: “Okay seriously where are you.” Then, a voice note you’re afraid to play (you play it—silence, then breathing, then a click).
(different for every player) arrives after 5–7 real-time days. For me, it was: “I deleted your number. Not because I’m angry. Because watching you not choose me was turning me into someone I don’t like. Take care, stranger.” A notification
You are not playing a character. You are being asked to treat a fictional person’s pain with the same urgency as a real one. And when you fail—when you swipe away the notification to check Twitter—the game logs that too. Next session, Alex’s messages are shorter. Colder. More tired.
Version 0.3 ends on a loading spinner that never finishes. Phone Story -v0.3- is not a complete game. It crashes occasionally. The keyboard UI glitches. Some dialogue loops repeat. But perfection would ruin it. This is a prototype about unfinished things—about ellipses, about calls not returned, about the version of yourself that exists only in someone else’s unanswered texts.
You want to feel something raw. You have an old conversation you regret. You believe games can be poetry.