Teri Baaton Mein Aisa: Uljha Jiya -title Track--...

Teri Baaton Mein Aisa Uljha Jiya is an acquired taste . If you go in expecting a conventional romantic hit, you might be disappointed. But if you appreciate experimental production, quirky lyrics, and a synth-heavy throwback sound, this track is a refreshing detour. It’s weird, it’s robotic, and it’s surprisingly addictive.

Rating: ⭐⭐⭐½ (3.5/5)

The track is an interesting fusion of early 2000s electronic pop and modern tech-house beats. It leans heavily into a "retro-futuristic" sound, which perfectly mirrors the film’s plot about a man falling in love with a highly advanced robot (SIFRA). There’s a distinct Daft Punk-meets-early-2000s-Bollywood feel to the synth loops. Teri Baaton Mein Aisa Uljha Jiya -Title Track--...

Bhattacharya is the real star here. The hook line— "Teri baaton mein aisa uljha jiya, jaise computer ki thi mouse" —is intentionally quirky and divisive. Some will find it brilliantly weird; others will cringe. However, the metaphor of a human cursor being controlled by a computer's mouse cleverly represents the power dynamic between Shahid’s character and Kriti’s AI. The romantic lines are layered with double meanings about programming and code, making it a fun listen once you catch them.

"Khaab" from Tum Mile , "The Disco Song" from Student of the Year , or synth-pop from the early 2010s. Teri Baaton Mein Aisa Uljha Jiya is an acquired taste

When you hear that the title track of Teri Baaton Mein Aisa Uljha Jiya is composed by Sachin-Jigar, you expect a catchy, rhythmic number. But this song throws a slight curveball—and in a good way.

Raghav Chaitanya delivers a controlled, almost breathy performance. He doesn’t shout or over-emote, which is a relief. Instead, he glides over the beat, capturing the dazed, hypnotic state of being "uljha" (entangled). The autotune is used sparingly but effectively to add a mechanical sheen—nodding to Kriti’s robotic character without losing human warmth. Raghav Chaitanya delivers a controlled

Watching the song alongside the video elevates it. Shahid’s confused yet smitten expressions paired with Kriti’s precise, staccato robotic movements finally give context to the disjointed beats. The song works better as a visual piece than as a standalone audio track.

The song is a "slow poison." On first listen, the bass-heavy drops might feel repetitive. By the third listen, the simplicity of the hook gets lodged in your brain. It is not a dance-floor banger like "Morni Banke" nor a soulful ballad. It is a head-bobbing, swaying kind of track —perfect for a highway drive or a late-night vibe.